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The 60 Days Rapid Revision (RaRe) Series is IASbaba’s Flagship Initiative recommended by Toppers and loved by the aspirants’ community every year.
It is the most comprehensive program which will help you complete the syllabus, revise and practice tests on a daily basis. The Programme on a daily basis includes
Daily Prelims MCQs from Static (Monday – Saturday)
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Note – Daily Test of 20 static questions, 10 current affairs, and 5 CSAT questions. (35 Prelims Questions) in QUIZ FORMAT will be updated on a daily basis.
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The following Test is based on the syllabus of 60 Days Plan-2023 for UPSC IAS Prelims 2022.
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Consider the following pairs:
Temple | Dynasty/ Rule |
1. Kailashnath Temple | Rashtrakutas |
2. Ajanta Caves | Hoysalas |
3. Elephanta Caves | Kalachuris |
4. Airavateshwara Temple | Pallavas |
How many of the pairs given above is/are correctly matched?
Solution (b)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Correct | Incorrect | Correct | Incorrect |
The Kailashnath temple at the Ellora caves is one of the largest rock-cut temples in India. The construction of the temple is attributed to the Rashtrakuta King Krishna I. | Ajanta caves are a group of Buddhist cave monuments. The temples are believed to be constructed during the period of 400 to 650 AD. The construction of these temples is believed to have been started by the Satavahanas. However, most of the caves have been constructed under the patronage of the Vakatakas. | Elephanta caves are rock cut caves. They are devoted to Hinduism. The famous sculpture of Sadashiva is located here. They are believed to be constructed by the Kalachuris. | Airavateshwara temple is a temple located in the town of Darasuram in Thanjavur district of Tamil Nadu. This temple was built by Rajaraja Chola II. |
Solution (b)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Correct | Incorrect | Correct | Incorrect |
The Kailashnath temple at the Ellora caves is one of the largest rock-cut temples in India. The construction of the temple is attributed to the Rashtrakuta King Krishna I. | Ajanta caves are a group of Buddhist cave monuments. The temples are believed to be constructed during the period of 400 to 650 AD. The construction of these temples is believed to have been started by the Satavahanas. However, most of the caves have been constructed under the patronage of the Vakatakas. | Elephanta caves are rock cut caves. They are devoted to Hinduism. The famous sculpture of Sadashiva is located here. They are believed to be constructed by the Kalachuris. | Airavateshwara temple is a temple located in the town of Darasuram in Thanjavur district of Tamil Nadu. This temple was built by Rajaraja Chola II. |
Consider the following statements regarding the Pallavas:
Which of the statements given above is/are correct?
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
Mahendravarman I introduced the rock-cut temples. This style of Pallava temples are seen at places like Mandagappattu, Mahendravadi, Mamandur, Dalavanur, Tiruchirappalli, Vallam, Siyamangalam and Tirukalukkunram. | Perundevanar was patronized by Nandivarman II and he translated the Mahabharata as Bharathavenba in Tamil.
Mahendravaraman I composed the Sanskrit play Mattavilasaprahasanam. Tamil literature had also developed. The Nayanmars and Alwars composed religious hymns in Tamil. The Devaram composed by Nayanmars and the Nalayradivyaprabandam composed by Alwars represent the religious literature of the Pallava period. |
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
Mahendravarman I introduced the rock-cut temples. This style of Pallava temples are seen at places like Mandagappattu, Mahendravadi, Mamandur, Dalavanur, Tiruchirappalli, Vallam, Siyamangalam and Tirukalukkunram. | Perundevanar was patronized by Nandivarman II and he translated the Mahabharata as Bharathavenba in Tamil.
Mahendravaraman I composed the Sanskrit play Mattavilasaprahasanam. Tamil literature had also developed. The Nayanmars and Alwars composed religious hymns in Tamil. The Devaram composed by Nayanmars and the Nalayradivyaprabandam composed by Alwars represent the religious literature of the Pallava period. |
Consider the following statements regarding Shikharas under Nagara temples:
How many of the above statements are correct?
Solution (c)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
There are many subdivisions of nagara temples depending on the shape of the Shikhara.
The most common name for the simple shikhara which is square at the base and whose walls curve or slope inward to a point on top is called the ‘Latina’ or the Rekhaprasada type of shikara. |
The second major type of architectural form in the Nagara order is the Phamsana. Phamsana buildings tend to be broader and shorter than Latina ones. Their roofs are composed of several slabs that gently rise to a single point over the center of the building, unlike the Latina ones which look like sharply rising tall towers. Phamsana roofs do not curve inward, instead they slope upwards on a straight incline. | The third main sub-type of the nagara building is what is generally called the Valabhi type.
These are rectangular buildings with a roof that rises into a vaulted chamber. The edge of this vaulted chamber is rounded, like the bamboo or wooden wagons that would have been drawn by bullocks in ancient times. They are usually called ‘wagon vaulted buildings’. |
Solution (c)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
There are many subdivisions of nagara temples depending on the shape of the Shikhara.
The most common name for the simple shikhara which is square at the base and whose walls curve or slope inward to a point on top is called the ‘Latina’ or the Rekhaprasada type of shikara. |
The second major type of architectural form in the Nagara order is the Phamsana. Phamsana buildings tend to be broader and shorter than Latina ones. Their roofs are composed of several slabs that gently rise to a single point over the center of the building, unlike the Latina ones which look like sharply rising tall towers. Phamsana roofs do not curve inward, instead they slope upwards on a straight incline. | The third main sub-type of the nagara building is what is generally called the Valabhi type.
These are rectangular buildings with a roof that rises into a vaulted chamber. The edge of this vaulted chamber is rounded, like the bamboo or wooden wagons that would have been drawn by bullocks in ancient times. They are usually called ‘wagon vaulted buildings’. |
Which of the following temples is/are located in Kanchipuram?
Select the correct answer using the code given below:
Solution (d)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Correct | Correct | Correct | Correct |
Ulagalanda Perumal Temple:
This temple has a unique feature of having four Divya Desams in the same complex, which is not seen anywhere. |
Varadharaja Perumal temple:
Dedicated to Lord Vishnu, it is one of the 108 Divya Desams visited by all the 12 Alwar saints. It has a ‘hundred pillar’ Mandapam built by the Vijayanagara kings. |
Ekambaresvara Temple:
It is one of the five major Shiva temples of Pancha Bootha Sthalams (each representing a natural element) representing the element – Earth; The temple’s Raja Gopuram is one of the tallest (57m) in south India and was built by the Vijayanagara king Krishnadevaraya; One notable feature is the Aayiram Kaal Mandapam, or the ‘hallway with a thousand pillars’. |
Kailasanathar Temple:
Built by the Pallava king Rajasimha I (Narasimhavarman II), it is the oldest structure in Kanchipuram. The temple’s sanctum sanctorum contains a unique 16- sided Shivalinga carved out of black granite
|
Solution (d)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Correct | Correct | Correct | Correct |
Ulagalanda Perumal Temple:
This temple has a unique feature of having four Divya Desams in the same complex, which is not seen anywhere. |
Varadharaja Perumal temple:
Dedicated to Lord Vishnu, it is one of the 108 Divya Desams visited by all the 12 Alwar saints. It has a ‘hundred pillar’ Mandapam built by the Vijayanagara kings. |
Ekambaresvara Temple:
It is one of the five major Shiva temples of Pancha Bootha Sthalams (each representing a natural element) representing the element – Earth; The temple’s Raja Gopuram is one of the tallest (57m) in south India and was built by the Vijayanagara king Krishnadevaraya; One notable feature is the Aayiram Kaal Mandapam, or the ‘hallway with a thousand pillars’. |
Kailasanathar Temple:
Built by the Pallava king Rajasimha I (Narasimhavarman II), it is the oldest structure in Kanchipuram. The temple’s sanctum sanctorum contains a unique 16- sided Shivalinga carved out of black granite
|
Consider the following statements regarding Odisha School of architecture:
How many of the above statements are correct?
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Incorrect |
The main architectural features of Odisha temples are classified in three orders, i.e., Rekhapida, Pidhadeul and Khakra.
Most of the main temple sites are located in ancient Kalinga—modern Puri District, including Bhubaneswar or ancient Tribhuvanesvara, Puri and Konark. The temples of Odisha constitute a distinct sub-style within the nagara order. In general, here the shikhara, called Deul in Odisha, is vertical almost until the top when it suddenly curves sharply inwards. |
In general, the shikhara, called deul in Odisha, is vertical almost until the top when it suddenly curves sharply inwards.
Deuls are preceded, as usual, by mandapas called jagamohana in Odisha. The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning mastaka. The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning Mastaka. This makes the spire nearly cylindrical in appearance in its length. |
The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning mastaka.
Compartments and niches are generally square, the exterior of the temples are lavishly carved, their interiors generally quite bare. Odisha temples usually have boundary walls. |
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Incorrect |
The main architectural features of Odisha temples are classified in three orders, i.e., Rekhapida, Pidhadeul and Khakra.
Most of the main temple sites are located in ancient Kalinga—modern Puri District, including Bhubaneswar or ancient Tribhuvanesvara, Puri and Konark. The temples of Odisha constitute a distinct sub-style within the nagara order. In general, here the shikhara, called Deul in Odisha, is vertical almost until the top when it suddenly curves sharply inwards. |
In general, the shikhara, called deul in Odisha, is vertical almost until the top when it suddenly curves sharply inwards.
Deuls are preceded, as usual, by mandapas called jagamohana in Odisha. The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning mastaka. The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning Mastaka. This makes the spire nearly cylindrical in appearance in its length. |
The ground plan of the main temple is almost always square, which, in the upper reaches of its superstructure, becomes circular in the crowning mastaka.
Compartments and niches are generally square, the exterior of the temples are lavishly carved, their interiors generally quite bare. Odisha temples usually have boundary walls. |
Who among the following authored ‘The Mattavilasa Prahasana’?
Solution (c)
Solution (c)
With reference to the cultural history of the Chola Empire, consider the following pairs:
Term | Description |
Tirumurai | Writings of the Saivite saints |
Variyam | Village committees for local governance |
Valangai | Type of caste division in Tamil land
|
How many of the pairs given above is/are correctly matched?
Solution (d)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
A number of popular saints, called the Nayanmars and the Alvars, who were the devotees of Siva and Vishnu, respectively, flourished in the Tamil kingdoms between the sixth and the ninth centuries. They composed their works in Tamil. The writings of the Saivite saints, which were collected into 11 volumes under the name Tirumurai in the early part of the twelfth century, are considered sacred and are looked upon as the fifth Veda. | Village committees under the Chola rule were called as Variyam. They were divided into 6 types, such as Samvatsara Variyam, Eri Variyam, Thotta Variyam, Pancha Variyam, Pon Variyam and Puravuvari Variyam, to take up 6 different functions of the village administration. The committee members were called the Variyapperumakkal. | The inscriptions of the later period of the Chola rule mention two major divisions among the castes – Valangai and Idangai castes. However, there was cooperation among various castes and subcastes in the social and religious life. |
Solution (d)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
A number of popular saints, called the Nayanmars and the Alvars, who were the devotees of Siva and Vishnu, respectively, flourished in the Tamil kingdoms between the sixth and the ninth centuries. They composed their works in Tamil. The writings of the Saivite saints, which were collected into 11 volumes under the name Tirumurai in the early part of the twelfth century, are considered sacred and are looked upon as the fifth Veda. | Village committees under the Chola rule were called as Variyam. They were divided into 6 types, such as Samvatsara Variyam, Eri Variyam, Thotta Variyam, Pancha Variyam, Pon Variyam and Puravuvari Variyam, to take up 6 different functions of the village administration. The committee members were called the Variyapperumakkal. | The inscriptions of the later period of the Chola rule mention two major divisions among the castes – Valangai and Idangai castes. However, there was cooperation among various castes and subcastes in the social and religious life. |
Consider the following statements regarding Ajanta:
How many of the above statements are correct?
Solution (c)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
The most famous cave site Ajanta is located in Aurangabad District of Maharashtra State. It has large chaitya-viharas and is decorated with sculptures and paintings.
Ajanta is the only surviving example of painting of the first century BCE and the fifth century CE. The caves at Ajanta as well as in western Deccan in general have no precise chronology because of the lack of known dated inscriptions. Paintings have a lot of typological variations. Outward projections are used in the Ajanta paintings of the fifth century CE. |
Shrine images at Ajanta are grand in size.
Lines are clearly defined and are very rhythmic. Body color gets merged with the outer line creating the effect of volume. The figures are heavy like the sculptures of western India. |
Among the important patrons at Ajanta were Varahadeva (patron of Cave No. 16), the prime minister of the Vakataka king, Harishena; Upendragupta (patron of Cave Nos. 17–20) the local king of the region and feudatory of the Vakataka king, Harishena; Buddhabhadra (patron of Cave No. 26); and Mathuradasa (patron of Cave No. 4). |
Solution (c)
Statement 1 | Statement 2 | Statement 3 |
Correct | Correct | Correct |
The most famous cave site Ajanta is located in Aurangabad District of Maharashtra State. It has large chaitya-viharas and is decorated with sculptures and paintings.
Ajanta is the only surviving example of painting of the first century BCE and the fifth century CE. The caves at Ajanta as well as in western Deccan in general have no precise chronology because of the lack of known dated inscriptions. Paintings have a lot of typological variations. Outward projections are used in the Ajanta paintings of the fifth century CE. |
Shrine images at Ajanta are grand in size.
Lines are clearly defined and are very rhythmic. Body color gets merged with the outer line creating the effect of volume. The figures are heavy like the sculptures of western India. |
Among the important patrons at Ajanta were Varahadeva (patron of Cave No. 16), the prime minister of the Vakataka king, Harishena; Upendragupta (patron of Cave Nos. 17–20) the local king of the region and feudatory of the Vakataka king, Harishena; Buddhabhadra (patron of Cave No. 26); and Mathuradasa (patron of Cave No. 4). |
Consider the following statements regarding Kalinga school of temple architecture:
How many of the above statements are correct?
Solution (a)
Statement 1 | Statement 2 | Statement 3 |
Incorrect | Correct | Incorrect |
Gopurams and Large water tanks in temple premises are features of Dravidian style of temple architecture. | In this, Shikhara (called Deul in Odisha) is almost vertical before it curves near the top. Shikhara is preceded by a mandapa (called Jagmohan or ‘dance pavilion’ in Odisha).
|
Kaḷinga architectural style is a sub-style of Nagara architecture, flourished in the ancient Kalinga region – present state of Odisha, West Bengal and northern Andhra Pradesh.
The style consists of three distinct types of temples: Rekha Deula, Pidha Deula and Khakhara Deula. The Rekha Deula and Khakhara Deula house the sanctum sanctorum, while the Pidha Deula constitutes outer dancing and offering halls. Examples of Kalinga architecture are Rajarani temple (Bhubaneshwar); Jagannath Temple, Puri. |
Solution (a)
Statement 1 | Statement 2 | Statement 3 |
Incorrect | Correct | Incorrect |
Gopurams and Large water tanks in temple premises are features of Dravidian style of temple architecture. | In this, Shikhara (called Deul in Odisha) is almost vertical before it curves near the top. Shikhara is preceded by a mandapa (called Jagmohan or ‘dance pavilion’ in Odisha).
|
Kaḷinga architectural style is a sub-style of Nagara architecture, flourished in the ancient Kalinga region – present state of Odisha, West Bengal and northern Andhra Pradesh.
The style consists of three distinct types of temples: Rekha Deula, Pidha Deula and Khakhara Deula. The Rekha Deula and Khakhara Deula house the sanctum sanctorum, while the Pidha Deula constitutes outer dancing and offering halls. Examples of Kalinga architecture are Rajarani temple (Bhubaneshwar); Jagannath Temple, Puri. |
Which of the temple architecture styles are easily distinguishable from other medieval temples by their highly original star-like ground-plans and a profusion of decorative carvings?
Solution (d)
Solution (d)
Which of the following elements are associated with the Dravida style of temples?
Which of the statements given above are correct?
Solution (c)
Statement 1 | Statement 2 | Statement 3 | Statement 4 | Statement 5 |
Correct | Incorrect | Correct | Incorrect | Correct |
It is common to find a large water reservoir, or a temple tank, enclosed within the complex. | The north Indian idea of multiple Shikharas rising together as a cluster was not popular in south India. | Stepped pyramid shaped Shikhara, which rises up geometrically. | At the entrance to the north Indian temple’s Garbhagriha, it would be usual to find images, such as the Mithunas and the river goddesses, Ganga and Yamuna, whereas in the south you will generally find sculptures of the fierce Dwarapala or the door-keepers guarding the temple. | Dravida temples are enclosed within a compound wall. The enclosure wall has a tall entrance gateway, called the Gopuram. There can be multiple Gopurams also. |
Solution (c)
Statement 1 | Statement 2 | Statement 3 | Statement 4 | Statement 5 |
Correct | Incorrect | Correct | Incorrect | Correct |
It is common to find a large water reservoir, or a temple tank, enclosed within the complex. | The north Indian idea of multiple Shikharas rising together as a cluster was not popular in south India. | Stepped pyramid shaped Shikhara, which rises up geometrically. | At the entrance to the north Indian temple’s Garbhagriha, it would be usual to find images, such as the Mithunas and the river goddesses, Ganga and Yamuna, whereas in the south you will generally find sculptures of the fierce Dwarapala or the door-keepers guarding the temple. | Dravida temples are enclosed within a compound wall. The enclosure wall has a tall entrance gateway, called the Gopuram. There can be multiple Gopurams also. |
Consider the following statements about the Pala School of Architecture
How many of the above statements are correct?
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Incorrect | Correct |
In the Pala School of Architecture, temples were built in the vanga style.
These included Mahavihar, Chaityas, Temples, Terracottas, and Stupas. |
As they were patrons of Vajrayana Buddhism, Buddhist art was encouraged but they were tolerant towards Hindus and encouraged temple architecture too. | The Siddheswara Mahadeva temple in West Bengal is one of the examples of the Pala style of architecture.
The curved Shikhara and lancet window of the brick-built medieval Siva temple in Bihar was built by Narayan pala. |
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Incorrect | Correct |
In the Pala School of Architecture, temples were built in the vanga style.
These included Mahavihar, Chaityas, Temples, Terracottas, and Stupas. |
As they were patrons of Vajrayana Buddhism, Buddhist art was encouraged but they were tolerant towards Hindus and encouraged temple architecture too. | The Siddheswara Mahadeva temple in West Bengal is one of the examples of the Pala style of architecture.
The curved Shikhara and lancet window of the brick-built medieval Siva temple in Bihar was built by Narayan pala. |
Consider the following statements
How many of the above statements are correct?
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Incorrect | Correct |
Provida style of architecture had exquisitely carved pillars and massive solid granite rathas with exceptional carvings and murals on walls. It had a depiction of animals like horses and elephants on the walls. | Provida style of architecture was found during the reign of the Vijayanagara Empire.
|
Ekambarnatha temple at Kanchipuram and Vithalswami and Hazara temples at Hampi are examples of Provida style of architecture. |
Solution (b)
Statement 1 | Statement 2 | Statement 3 |
Correct | Incorrect | Correct |
Provida style of architecture had exquisitely carved pillars and massive solid granite rathas with exceptional carvings and murals on walls. It had a depiction of animals like horses and elephants on the walls. | Provida style of architecture was found during the reign of the Vijayanagara Empire.
|
Ekambarnatha temple at Kanchipuram and Vithalswami and Hazara temples at Hampi are examples of Provida style of architecture. |
Consider the following
Which of the above places are famous for Sun Temples in India?
Solution (d)
The famous Sun Temples in India are –
Solution (d)
The famous Sun Temples in India are –
Consider the following statements about the Panch Rathas temples
How many of the above statements are correct?
Solution (c)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Incorrect | Correct | Correct | Correct |
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I (630–668 CE.) However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II (c. 690–725 CE) with the discovery of new inscriptions. | The Dharmaraja ratha is the largest structure among the five rathas.
|
They are designated as a UNESCO World Heritage Site in 1984. | The monoliths are named after the Pandavas – Arjuna, Bhima, Yudhishthira (“Dharmaraja”), Nakula and Sahadeva – and Draupadi. These names are considered to be a misrepresentation as the structures have no link to the iconic characters of the Mahabharata epic. They have no religious significance either, as they remained unfinished and unconsecrated; the uncut rock parts at the base and top of the rathas are still visible. The ASI confirmed the unfinished nature of the structures and suggested that they instead be referred to as vimanas. However, the Pandava names have become permanent. |
Solution (c)
Statement 1 | Statement 2 | Statement 3 | Statement 4 |
Incorrect | Correct | Correct | Correct |
Pancha Rathas is a monument complex at Mahabalipuram, on the Coromandel Coast of the Bay of Bengal, in the Kancheepuram district of the state of Tamil Nadu, India. Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I (630–668 CE.) However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II (c. 690–725 CE) with the discovery of new inscriptions. | The Dharmaraja ratha is the largest structure among the five rathas.
|
They are designated as a UNESCO World Heritage Site in 1984. | The monoliths are named after the Pandavas – Arjuna, Bhima, Yudhishthira (“Dharmaraja”), Nakula and Sahadeva – and Draupadi. These names are considered to be a misrepresentation as the structures have no link to the iconic characters of the Mahabharata epic. They have no religious significance either, as they remained unfinished and unconsecrated; the uncut rock parts at the base and top of the rathas are still visible. The ASI confirmed the unfinished nature of the structures and suggested that they instead be referred to as vimanas. However, the Pandava names have become permanent. |
Regarding Indian Classical Music, consider the following statements
Choose the correct code:
Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Raga is the basis of melody and Tala is the basis of rhythm. The term ‘raga’ is derived from the Sanskrit word ‘Ranj,’ which means to delight, make happy, and satisfy someone. The ragas serve as the foundation for the melody, while the tala serves as the foundation for the rhythm. | A Raga is a series of five or more notes which are classified according to the time of day. Each raga’s melodic structure has something in common with the subject’s distinct personality and the mood evoked by the sounds. The basic elements required for the operation of a raga is the note on which it is based. A Raga is a series of five or more notes which are classified according to the time of day.
Ex: Hindol Raga is used during the morning. |
Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Raga is the basis of melody and Tala is the basis of rhythm. The term ‘raga’ is derived from the Sanskrit word ‘Ranj,’ which means to delight, make happy, and satisfy someone. The ragas serve as the foundation for the melody, while the tala serves as the foundation for the rhythm. | A Raga is a series of five or more notes which are classified according to the time of day. Each raga’s melodic structure has something in common with the subject’s distinct personality and the mood evoked by the sounds. The basic elements required for the operation of a raga is the note on which it is based. A Raga is a series of five or more notes which are classified according to the time of day.
Ex: Hindol Raga is used during the morning. |
Consider the following statements regarding the Buddhist text ‘Digha Nikaya’
Choose the correct code:
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
‘Digha Nikaya’ is a part of Sutta Pitaka. It is a Buddhist scripture, the first of the five nikayas, or collections, in the Sutta Pitaka.
|
It was written in the Pali language which mentions the theory of the origin of Kingship. It points out that in the earliest stage, human beings lived happily. Gradually they began to own private property and set up houses with their wives, and this led to quarrels over property and women. To put an end to such quarrels, they elected a chief who would maintain law and order and protect the people. In return for protection, the people promised to give the chief a part of the paddy. The chief came to be called king, and that is how kingship or the state originated. |
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
‘Digha Nikaya’ is a part of Sutta Pitaka. It is a Buddhist scripture, the first of the five nikayas, or collections, in the Sutta Pitaka.
|
It was written in the Pali language which mentions the theory of the origin of Kingship. It points out that in the earliest stage, human beings lived happily. Gradually they began to own private property and set up houses with their wives, and this led to quarrels over property and women. To put an end to such quarrels, they elected a chief who would maintain law and order and protect the people. In return for protection, the people promised to give the chief a part of the paddy. The chief came to be called king, and that is how kingship or the state originated. |
Consider the following statements
Choose the correct code:
Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Aitareya Brahmana which is the first reference to the origin of kingship is a part of Rigveda.
|
Gayatri Mantra is a part of Rigveda which is composed by Vishwamitra and dedicated to God Savitr. It is present in the 3rd Mandala.
Rigveda is the oldest among the four Vedas and is arranged in 10 mandalas. The first mandala of Rigveda is dedicated to Indra and Agni. |
Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Aitareya Brahmana which is the first reference to the origin of kingship is a part of Rigveda.
|
Gayatri Mantra is a part of Rigveda which is composed by Vishwamitra and dedicated to God Savitr. It is present in the 3rd Mandala.
Rigveda is the oldest among the four Vedas and is arranged in 10 mandalas. The first mandala of Rigveda is dedicated to Indra and Agni. |
Consider the following statements about ‘Amuktamalyada’
Choose the correct code:
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
Amuktamalyada is a Telugu epic poem composed by the Vijayanagara Emperor Krishnadevaraya. It was composed in the early 16th century. | It describes the story of the wedding of the Hindu Lord Ranganayaka, an avatar of Vishnu, and Goda Devi or Andal, the Tamil Alvar poet at Srirangam. |
Solution (c)
Statement 1 | Statement 2 |
Correct | Correct |
Amuktamalyada is a Telugu epic poem composed by the Vijayanagara Emperor Krishnadevaraya. It was composed in the early 16th century. | It describes the story of the wedding of the Hindu Lord Ranganayaka, an avatar of Vishnu, and Goda Devi or Andal, the Tamil Alvar poet at Srirangam. |
Consider the following statements
Which of the statements given above is/are correct?
Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Natyashastra is a treatise on ancient Indian music, dance, and drama written by the sage Bharata around the 2nd century BCE. It is considered one of the oldest surviving texts in the world on performing arts. Natyashastra is considered one of the oldest surviving texts in the world on performing arts and has 36 chapters | The 13th century Sanskrit text Sangeeta-Ratnakara of Sarangadeva is regarded as the definitive text by both the Hindustani music and the Carnatic music traditions..
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Solution (b)
Statement 1 | Statement 2 |
Incorrect | Correct |
Natyashastra is a treatise on ancient Indian music, dance, and drama written by the sage Bharata around the 2nd century BCE. It is considered one of the oldest surviving texts in the world on performing arts. Natyashastra is considered one of the oldest surviving texts in the world on performing arts and has 36 chapters | The 13th century Sanskrit text Sangeeta-Ratnakara of Sarangadeva is regarded as the definitive text by both the Hindustani music and the Carnatic music traditions..
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Consider the following statements regarding the National Green Tribunal (NGT):
How many of the above statements are correct?
Solution (c)
Solution (c)
Consider the following statements:
How many of the above statements are correct?
Solution (c)
Solution (c)
Which of the following are the criteria evolved by the Government of India to determine the declaration of a language as a Classical language?
How many of the above statements are correct?
Solution (b)
Criteria evolved by the Government of India to determine the declaration of a language as a Classical language:
The benefits it provides once a language is notified as a Classical language:
Note: Currently, six languages enjoy the ‘Classical’ status: Tamil (declared in 2004), Sanskrit (2005), Kannada (2008), Telugu (2008), Malayalam (2013), and Odia (2014).
Solution (b)
Criteria evolved by the Government of India to determine the declaration of a language as a Classical language:
The benefits it provides once a language is notified as a Classical language:
Note: Currently, six languages enjoy the ‘Classical’ status: Tamil (declared in 2004), Sanskrit (2005), Kannada (2008), Telugu (2008), Malayalam (2013), and Odia (2014).
Consider the following statements about the Tibetan Brown Bear:
How many of the above statements are correct?
Solution (c)
Context: A rare and elusive bear, the Tibetan brown bear, has been recently sighted in Sikkim, making it the first confirmed record of the animal being sighted in India.
Solution (c)
Context: A rare and elusive bear, the Tibetan brown bear, has been recently sighted in Sikkim, making it the first confirmed record of the animal being sighted in India.
Consider the following statements regarding the FASTags:
How many of the above statements are correct?
Solution (b)
Solution (b)
Consider the following statements about the Bhitarkanika National Park:
How many of the above statements are correct?
Solution (b)
Solution (b)
Consider the following statements about the Panama Canal:
Choose the correct code:
Solution (d)
Solution (d)
Consider the following statements:
How many of the above statements are correct?
Solution (b)
Solution (b)
Consider the following statements about Guru Gobind Singh:
How many of the above statements are correct?
Solution (c)
Solution (c)
Consider the following statements about the Jagannath Temple:
How many of the above statements are correct?
Solution (c)
Solution (c)
The ratio of the number of Rs. 2 coins and Rs. 5 coins that Ajay has is 6:11. If the number of Rs. 5 coins is halved than he will have an amount of Rs. 790. How many Rs. 2 coins does Ajay have?
Solution (c)
Let Rs. 2 coins and Rs. 5 coins be 6x and 11x respectively
Then, 6x * 2 + (11x/2) * 5 = 790
24x + 55x = 790 * 2
79x = 790 * 2
X = 20
Thus, Rs. 2 coins = 6 * 20 = Rs. 120
Solution (c)
Let Rs. 2 coins and Rs. 5 coins be 6x and 11x respectively
Then, 6x * 2 + (11x/2) * 5 = 790
24x + 55x = 790 * 2
79x = 790 * 2
X = 20
Thus, Rs. 2 coins = 6 * 20 = Rs. 120
A container contains 40 litres of milk. From this container 4 litres of milk was taken out and replaced by water. This process was repeated further two times. How much milk is now contained by the container?
Solution (c)
It is given in the question that a container contains 40 litres of milk. Then, it is said that 4 litres of milk was taken out and replaced by water. This process was repeated two more times which means that a total of three times the process was done. Now, after the third time, we have to find out how much milk is remaining in the container. So, let us find the amount of milk remaining step by step, so after every process we will find out the milk to water ratio.
After the first process, that is after replacing 4 litres of milk with 4 litres of water, we get (40 – 4) = 36 litres of milk and 4 litres of water in the container.
So, the milk to water ratio is 36:4 that is 9:1.
For the second process, we have a mixture of milk and water, so we will take out 4 litres of the mixture which has the ratio 9:1, that is it has 9 parts of milk and 1 part of water. So, 4 litres of the mixture contains 3.6 litres of milk and 0.4 litres of water. So, after taking the mixture out and replacing it with 4 litres of water, the remaining amount of milk is (36 – 3.6) = 32.4 litres and the amount of water is (3.6 + 4) = 7.6 litres. So, the milk to water ratio is 32.4:7.6 in the container.
Now for the third process, 4 litres of the mixture is taken out which has the ratio 32.4:7.6, so it contains 3.24 litres of milk and 0.76 litres of water. So, after taking the mixture out and adding 4 litres of water, the amount of milk = (32.4 – 3.24) = 29.16 litres.
Therefore, we get the amount of milk remaining in the container as 29.16 litres.
Solution (c)
It is given in the question that a container contains 40 litres of milk. Then, it is said that 4 litres of milk was taken out and replaced by water. This process was repeated two more times which means that a total of three times the process was done. Now, after the third time, we have to find out how much milk is remaining in the container. So, let us find the amount of milk remaining step by step, so after every process we will find out the milk to water ratio.
After the first process, that is after replacing 4 litres of milk with 4 litres of water, we get (40 – 4) = 36 litres of milk and 4 litres of water in the container.
So, the milk to water ratio is 36:4 that is 9:1.
For the second process, we have a mixture of milk and water, so we will take out 4 litres of the mixture which has the ratio 9:1, that is it has 9 parts of milk and 1 part of water. So, 4 litres of the mixture contains 3.6 litres of milk and 0.4 litres of water. So, after taking the mixture out and replacing it with 4 litres of water, the remaining amount of milk is (36 – 3.6) = 32.4 litres and the amount of water is (3.6 + 4) = 7.6 litres. So, the milk to water ratio is 32.4:7.6 in the container.
Now for the third process, 4 litres of the mixture is taken out which has the ratio 32.4:7.6, so it contains 3.24 litres of milk and 0.76 litres of water. So, after taking the mixture out and adding 4 litres of water, the amount of milk = (32.4 – 3.24) = 29.16 litres.
Therefore, we get the amount of milk remaining in the container as 29.16 litres.
A pie chart gives the expenditure on five different items A, B, C, D, E in a household. If B, C, D, E correspond to 75 °, 55 °, 80 °, 50 ° respectively, then what is the percentage of expenditure on item A?
Solution (d)
A pie chart corresponds to 360 °
Items B, C, D and E correspond to 75 °, 55 °, 80 °, 50 ° respectively on the pie chart.
Angle corresponding to A in the pie chart = 360° – (75 °+ 55 °+ 80 °+ 50 °) = 100°
So, percentage expenditure of the household on item A = (100/360) * 100 = 250/9 %
Solution (d)
A pie chart corresponds to 360 °
Items B, C, D and E correspond to 75 °, 55 °, 80 °, 50 ° respectively on the pie chart.
Angle corresponding to A in the pie chart = 360° – (75 °+ 55 °+ 80 °+ 50 °) = 100°
So, percentage expenditure of the household on item A = (100/360) * 100 = 250/9 %
If N and x are positive integers such that N^N = 2^160 and N^2 + 2^N is an integral multiple of 2^x, then the largest possible x is
Solution (b)
Given that N and X are positive integers such that NN = 2160 and N2 + 2N is an integral multiple of 2x
Now we have to find the largest possible value for x
NN = 2160
We can rewrite this 2160 as (2p)q
such that 2p = N = q
pq = 160
We can try by substituting p and q with 2 and 80 respectively
(22)80 = 480
This doesn’t work so we can try by substituting p and q with 4 and 40 respectively
(24)40 = 1640
This also doesn’t work so now we can substitute p and q with 5 and 32 respectively
Such that (25)32 = 3232
Now we can say that N = 32
N2 + 2N ⟹ 322 + 232 = 2x × k (where k is the integral multiple)
N2 + 2N ⟹ 210 + 232 = 2x × k since 322 = (25)2
N2 + 2N ⟹ 210 (1 + 222) = 2x × k
This (1 + 222) is an odd number so the number is going to be 210 × multiple of the odd number
Hence the largest power of 2 can be 10 i.e. 210
Xmax = 10
The largest possible x is 10
The question is “If N and x are positive integers such that NN = 2160 and N2 + 2N is an integral multiple of 2x, then the largest possible x is 10
Hence, the answer is 10
Solution (b)
Given that N and X are positive integers such that NN = 2160 and N2 + 2N is an integral multiple of 2x
Now we have to find the largest possible value for x
NN = 2160
We can rewrite this 2160 as (2p)q
such that 2p = N = q
pq = 160
We can try by substituting p and q with 2 and 80 respectively
(22)80 = 480
This doesn’t work so we can try by substituting p and q with 4 and 40 respectively
(24)40 = 1640
This also doesn’t work so now we can substitute p and q with 5 and 32 respectively
Such that (25)32 = 3232
Now we can say that N = 32
N2 + 2N ⟹ 322 + 232 = 2x × k (where k is the integral multiple)
N2 + 2N ⟹ 210 + 232 = 2x × k since 322 = (25)2
N2 + 2N ⟹ 210 (1 + 222) = 2x × k
This (1 + 222) is an odd number so the number is going to be 210 × multiple of the odd number
Hence the largest power of 2 can be 10 i.e. 210
Xmax = 10
The largest possible x is 10
The question is “If N and x are positive integers such that NN = 2160 and N2 + 2N is an integral multiple of 2x, then the largest possible x is 10
Hence, the answer is 10
In the following number series only one number is wrong. Find out the wrong number.
3, 12, 8, 19, 13, 32, 18, 42, 23, 52
Solution (b)
The sequence is a combination of following two series: (I) 3, 8, 13, 18, 23 and (II) 12, 19, 32, 42, 52 The pattern in (I) has a constant difference of +5 and the pattern in (II) has a constant difference of +10. So, in (II), 19 is wrong and should be replaced by (12+10), i.e., 22.
Solution (b)
The sequence is a combination of following two series: (I) 3, 8, 13, 18, 23 and (II) 12, 19, 32, 42, 52 The pattern in (I) has a constant difference of +5 and the pattern in (II) has a constant difference of +10. So, in (II), 19 is wrong and should be replaced by (12+10), i.e., 22.
All the Best
IASbaba